਀㰀戀㸀䐀攀猀挀爀椀瀀琀椀漀渀㰀⼀戀㸀㨀 䬀甀洀椀攀 椀猀 挀甀琀攀 爀愀琀栀攀爀 琀栀愀渀 戀攀愀甀琀椀昀甀氀⸀  匀栀攀 椀猀 氀椀琀琀氀攀Ⰰ 愀琀 㐀✀㄀㄀Ⰰ∀ 愀渀搀 氀漀漀欀猀 椀琀㬀 猀栀攀 樀甀猀琀 栀愀猀 愀 戀椀最 洀漀甀琀栀 琀漀 洀愀欀攀 甀瀀 昀漀爀 椀琀⸀ 䬀甀洀椀攀✀猀 挀栀攀猀琀 搀攀瘀攀氀漀瀀洀攀渀琀 椀猀 戀攀猀琀 搀攀猀挀爀椀戀攀搀 愀猀 ∀猀氀椀洀 琀漀 渀漀渀攀⸀∀  匀栀攀 眀攀愀爀猀 最氀愀猀猀攀猀 眀椀琀栀 猀洀愀氀氀Ⰰ 爀攀挀琀愀渀最甀氀愀爀 琀漀爀琀漀椀猀攀猀栀攀氀氀 昀爀愀洀攀猀⸀  唀渀搀攀爀渀攀愀琀栀 琀栀攀洀 栀攀爀 攀礀攀猀 愀爀攀 愀 戀爀椀最栀琀 爀攀搀ⴀ戀爀漀眀渀 琀栀爀攀愀搀攀搀 眀椀琀栀 礀攀氀氀漀眀Ⰰ 琀栀攀 挀漀氀漀爀 漀昀 爀攀搀 洀愀瀀氀攀 氀攀愀瘀攀猀⸀  䠀攀爀 栀愀椀爀 椀猀 愀 搀愀爀欀 戀爀漀眀渀Ⰰ 瘀攀爀礀 琀栀椀挀欀 愀渀搀 猀琀爀愀椀最栀琀Ⰰ 挀甀琀 樀甀猀琀 愀戀漀瘀攀 栀攀爀 猀栀漀甀氀搀攀爀猀⸀  匀栀攀 甀猀甀愀氀氀礀 眀攀愀爀猀 椀琀 琀椀攀搀 椀渀琀漀 愀 栀愀氀昀ⴀ瀀漀渀礀琀愀椀氀Ⰰ 眀椀琀栀 琀眀漀 瀀椀攀挀攀猀 栀愀渀最椀渀最 椀渀 昀爀漀渀琀 漀昀 栀攀爀 攀愀爀猀 愀渀搀 琀栀椀挀欀 戀愀渀最猀 挀漀瘀攀爀椀渀最 栀攀爀 昀漀爀攀栀攀愀搀⸀  圀栀攀渀 猀栀攀✀猀 渀漀琀 椀渀 琀栀攀 猀挀栀漀漀氀 甀渀椀昀漀爀洀Ⰰ 栀攀爀 瀀攀爀猀漀渀愀氀 猀琀礀氀攀 椀猀 猀漀洀攀眀栀愀琀 漀甀琀 漀昀 搀愀琀攀⸀  䠀攀爀 洀漀琀栀攀爀 戀甀礀猀 栀攀爀 挀氀漀琀栀攀猀Ⰰ 愀渀搀⸀⸀⸀眀攀氀氀Ⰰ 搀漀攀猀渀✀琀 爀攀愀氀氀礀 搀爀攀猀猀 栀攀爀 昀甀渀渀礀Ⰰ 戀甀琀 䬀甀洀椀攀✀猀 挀氀漀琀栀椀渀最 猀攀攀洀猀 琀漀 栀愀瘀攀 戀攀攀渀 搀攀猀椀最渀攀搀 昀漀爀 猀漀洀攀漀渀攀 礀漀甀渀最攀爀 琀栀愀渀 猀栀攀Ⰰ 琀栀漀甀最栀 椀琀 昀椀琀猀 栀攀爀 樀甀猀琀 昀椀渀攀⸀ ਀

਀㰀瀀㸀 Personality: Knowledge is Kumie's passion, and she absorbs information like the proverbial sponge. She wants to know everything there is to be known, and truly loves learning. It doesn't hurt that she has an exceptional memory, goes to cram school three days a week, and tends to fall asleep reading the encyclopedia.਀

Kumie excels in school, and has a much more "scholarly" bend than the other "smart cookies" of the senshi teams, Oki, Hanako and Miyako. While Hanako focuses on the bigger picture, Kumie is much more likely to get bogged down in details. And while Oki has her own set of priorities, Kumie tends to care passionately about every aspect of school and works her butt off even when she can't see the long-term use of a subject, because knowledge is important for its own sake. She probably has the most in common with Miyako, but the competitive Kumie looks at the older girl as a rival. Neither is Kumie isn't the quiet, sweet sort of "smart girl." She has a big mouth which she uses to impart all sorts of knowledge on her unsuspecting victims, and she tends to put her foot in it from time to time.਀

In school, Kumie has a reputation as an overachiever and a know-it-all. She has a hard time keeping her mouth shut when she knows the answer to a question--or just something that came to mind as interesting. In elementary school, she was the sort of kid who waved her hand about, half-jumping out of her seat, when she knew the answer to a question. While her behavior has improved a little bit since then, her mentality is still very much the same. She finds it hard to understand why other people aren't as interested in--well, everything--as she is, or why they don't like to listen to her rattle off the things she knows.਀

Kumie wants to help other students, but when it comes down to it, she's not a good teacher. She is impatient and gets frustrated easily, and though she can explain how she got to an answer, she's not so good at explaining why it works that way. She knows not everyone learns the same way she does, or absorbs information so easily, but it's hard for her to really understand that. ਀

The most important reason to learn, in Kumie's view, is because if you don't know something, it doesn't exist to you. Things that are unknown are out of your reach, and things that are forgotten are lost. After her mother's parents died, Kumie wanted to make sure she didn't lose any memories of the people who was so precious to her, and started keeping a journal. Something that seems wonderful to you today may be gone tomorrow, and then that wonderful feeling is also gone. Anything of the slightest interest goes into this journal, and the journal accompanies her everywhere; things she sees, overhears, hears about third-hand, it all gets recorded. She has probably gone through a forest of paper to keep up with her habit; there are boxes of her old journals in her room.਀

Because of this philosophy, Kumie is always grasping at the past and trying to hold onto it, rather than living in the present. At fifteen, she is already consumed with nostalgia, yearning for things that are gone. In some ways, her feelings are in tune with the ancient Japanese philosophy of mono no aware, but she has yet to really accept "the impermanence of things," trying to hold on to the past, and stubbornly believing that what persists in memories is never really gone. The Zen ideal of living in the present is wasted on her; what's the point of spending weeks on a sand painting if you're just going to destroy it when you're done? Rather than enjoying the moment for what it is, Kumie suffers from a sort of constipation of memory.਀

Forgetting, or being forgotten, are both terrifying to Kumie. Her grandmother is developing Alzheimer's disease, and seeing her is a constant reminder of what one stands to lose. Memories are precious things. Becoming a doctor and trying to find a cure for the disease is the only thing Kumie has considered, future-wise, that doesn't make her want to hide in a hole with a bunch of books and never come out. Almost as scary as forgetting is growing up; living in the past as much as she does, the future is something to be avoided. Learning new things isn't scary, but doing new things is. She hasn't been able to reconcile her love of things past to the fact that all things must pass, and this is the source of much of the turmoil in her life.਀

Though high school gets boring sometimes, she still gives it her all. She loves having her intelligence acknowledged; after all, if people notice you exist, you're less likely to be forgotten. If you stand out in skill at something, people will remember you for that. Besides, Kumie is proud of her brain. If it works so well, she wants to put it to good use--and the best way she can see to do that is to do well at school. Most subjects come easily to her--with the exception of math, but she isn't afraid to take up its challenge for the sake of her GPA.਀

Kumie's not so bad to have a friend, so long as you don't mind occasionally getting your ear talked off about subjects ranging from the fall of the Roman Empire to obscure mathematical facts that she finds equally fascinating. She has a certain amount of social awkwardness, especially among people she doesn't know well, but it's not all that hard to get by. She has a very competitive streak, and can get snotty if she's upstaged or humiliated on her home ground. She can come across as (very) condescending, though she doesn't mean to. She knows that being smarter than other people doesn't make her better, but she sure likes being smarter than other people anyway. Deep down, she thinks other people are jealous of her, rather than acknowledging her own jealous tendencies.਀

Her mother pushes her to go into some scientific field; in a way, she is living vicariously through her daughter, and hopes she will have some of the opportunities Sayo chose not to take. Fortunately, Kumie was inclined academically, or her mother's "encouragement" would have stressed their relationship greatly. Other people may find her mother pushy, but Kumie just doesn't see it. Kumie hasn't given much thought to her future. She'd like to go to college, and then, well...maybe grad school? If she could, she'd like to be a student all her life. Kumie is a brilliant girl, but she is being dragged into young adulthood kicking and screaming. Boys? She's had a few crushes, but actually acting upon them would take her into unfamiliar territory, so no thanks. ਀

In summary:਀㰀甀氀㸀㰀氀椀㸀匀琀爀攀渀最琀栀猀㨀 䤀渀琀攀氀氀椀最攀渀琀Ⰰ 最爀攀愀琀 洀攀洀漀爀礀Ⰰ 挀漀渀猀挀椀漀甀猀 漀昀 琀栀攀 瀀愀猀琀Ⰰ 最漀漀搀 猀琀甀搀礀 攀琀栀椀挀

਀

History: Waseda university student Uezawa Kiyotaka was madly in love with his classmate Fujimoto Sayo, and she seemed pretty fond of him, too. But when he popped the question, Sayo couldn't say yes right away. She was a brilliant woman, who dreamed of a career in computers and electronics, not as a housewife caring for her husband's aging parents and any children she might have. She turned him down--but then, when graduation time came, and the idea of Kiyotaka walking out of her life really struck her, she reconsidered, and accepted his offer. Two years later she gave birth to Kumie, and for the most part has been happy, though she never stopped thinking about what could have been.਀

Kumie's father is a software engineer who never really cared for climbing the management ladder, preferring instead to stick to what he did best, and he gets paid well for it. He and his family live in a narrow, three-story house in the Korakuen district, where Kumie lived all her life. The house is also home to Kiyotaka's parents, retired businessman Hirotaka and his wife Harumi, who never quite approved of Sayo taking her place in the household. When Kumie was 4, younger brother Takayuki became a part of the household. bringing it to its current capacity.਀

Kumie's most cherished memories are of traveling to Kobe to see her mother's parents. While her home-grandparents were strict, her Kobe-grandparents always had presents for her, played games with her, and as she got older, she became more and more intrigued by their stories of the past. They were both in good health, and though she hated to go home after a visit, she always knew they'd be there for her to visit again.਀

Then, on January 17 1995, tragedy struck in the form of the Great Hanshin Earthquake. More than five-thousand people were killed, mostly in Kobe, and Sayo received news that her parents had been among those who lost their lives. After the funerals, she brought her daughter with her to Kobe to go through her parents belongings. Both were particularly hurt by the loss, and Kumie was especially afraid she might forget her beloved grandma and grandpa. Sayo brought home some of her parents' things, including many books, a collection of letters and a collection of journals her mother had kept sporadically. ਀

Though Kumie didn't understand a lot of the kanji, she struggled to read her grandmother's journals. Even though the woman had died, her thoughts had survived, and Kumie, feeling very afraid of death, began keeping her own diary, so that if anything happened to her, her own thoughts would survive. She wanted to read the books that had belonged to her grandparents, but again the kanji were too difficult--well, the way to fix that was to learn more kanji. She started going to a class on saturday afternoons, and found that the kanji, and the stories behind them, were actually pretty interesting. And then the books, as she read them, were even more interesting. Her grandparents had left them a variety of things, from the Manyoshu to medical texts, and Kumie read them all. Her parents were at first amused, then surprised at Kumie's devotion to reading and learning, and her ability to actually retain the information she absorbed. She had always been a good student, but it was at this point she became a real stand-out.਀

Her parents blame her constant reading for the fact that her eyesight started to decline around the age of 11, when she began wearing glasses. They continued to encourage her studies, however, and although Kumie probably could have gotten into a better school, her father wanted her to go to Chuo, his alma mater. Kumie was happy to go to a school with relevant memories for her father, rather than a place that would be completely unfamiliar.਀

The girl with a love for the past was a perfect fit for the starseed of the Senshi of Memory, and when she received it she only noted that she seemed to be able to remember things more clearly. Now and then she felt a flash of deja vu, but nothing too much out of the ordinary.਀㰀倀 愀氀椀最渀㴀∀挀攀渀琀攀爀∀㸀㰀椀洀最 猀爀挀㴀∀氀攀愀昀⸀最椀昀∀㸀

਀㰀戀㸀一倀䌀猀㰀⼀戀㸀㨀 

਀ऀ㰀氀椀㸀唀攀稀愀眀愀 䬀椀礀漀琀愀欀愀 ⠀䈀氀甀攀 匀欀礀⤀㨀 䬀甀洀椀攀✀猀 昀愀琀栀攀爀Ⰰ 愀 猀漀昀琀眀愀爀攀 攀渀最椀渀攀攀爀 昀漀爀 䠀漀渀搀愀⸀  䬀甀洀椀攀 瀀爀漀戀愀戀氀礀 最攀琀猀 栀攀爀 琀攀渀搀攀渀挀礀 琀漀 戀攀 愀 欀渀漀眀ⴀ椀琀ⴀ愀氀氀 昀爀漀洀 栀椀洀⸀
• Uezawa Sayo (Small Night): Kumie's mother, who gave up a promising career to marry and have children. Now that her children are old enough to get by most of the day by themselves, she is considering moving back into the workplace, though her husband's parents are dead set against it.਀ऀ㰀氀椀㸀唀攀稀愀眀愀 䠀愀爀甀洀椀 ⠀䌀氀攀愀爀 䈀攀愀甀琀礀⤀㨀 䬀甀洀椀攀✀猀 瀀愀琀攀爀渀愀氀 最爀愀渀搀洀漀琀栀攀爀Ⰰ 眀栀漀 氀椀瘀攀猀 椀渀 栀攀爀 栀漀甀猀攀⸀  䄀昀琀攀爀 匀愀礀漀 洀漀瘀攀搀 椀渀琀漀 栀攀爀 栀漀甀猀攀Ⰰ 琀栀攀爀攀 眀愀猀 愀 最爀攀愀琀 搀攀愀氀 漀昀 栀漀猀椀氀椀琀礀 戀攀琀眀攀攀渀 琀栀攀 琀眀漀Ⰰ 戀甀琀 䠀愀爀甀洀椀 猀漀昀琀攀渀攀搀 猀漀洀攀眀栀愀琀 漀瘀攀爀 琀栀攀 礀攀愀爀猀⸀  匀栀攀 椀猀 渀漀眀 猀栀漀眀椀渀最 琀栀攀 昀椀爀猀琀 猀椀最渀猀 漀昀 愀氀稀栀攀椀洀攀爀猀⸀
• Uezawa Hirotaka (Wide Sky): Kumie's paternal grandfather, who lives in her house.਀ऀ㰀氀椀㸀唀攀稀愀眀愀 吀愀欀愀礀甀欀椀 ⠀吀栀椀猀 䠀攀愀瘀攀渀⤀㨀 䬀甀洀椀攀✀猀 攀氀攀瘀攀渀ⴀ礀攀愀爀ⴀ漀氀搀 戀爀漀琀栀攀爀Ⰰ 愀渀搀 愀戀漀甀琀 愀猀 愀渀渀漀礀椀渀最 愀猀 礀漀甀✀搀 攀砀瀀攀挀琀 愀渀 攀氀攀瘀攀渀ⴀ礀攀愀爀ⴀ漀氀搀 戀爀漀琀栀攀爀 琀漀 戀攀⸀  䠀攀✀猀 瀀爀攀琀琀礀 最漀漀搀 愀琀 猀漀挀挀攀爀⸀
• Fujimoto Keiko (source-of-the-wisteria Comet child): Kumie's maternal grandmother, who died in the Kobe earthquake of 1995.਀ऀ㰀氀椀㸀䘀甀樀椀洀漀琀漀 䄀欀愀琀猀甀欀椀 ⠀搀愀眀渀⤀㨀 䬀甀洀椀攀✀猀 洀愀琀攀爀渀愀氀 最爀愀渀搀昀愀琀栀攀爀Ⰰ 眀栀漀 愀氀猀漀 搀椀攀搀 椀渀 琀栀攀 攀愀爀琀栀焀甀愀欀攀⸀

਀㰀瀀㸀

Part III: Soldier Information

਀㰀戀㸀匀瀀攀挀椀愀氀 匀欀椀氀氀猀㰀⼀戀㸀㨀 

• Photographic Memory: Kumie not only knows she's seen that face before, she can almost always remember where and in what context. Though the magic of the transformation may foil her powers of recognition, she's still going to have a feeling that she's heard that voice somewhere before. Kumie will also remember details--so long as she is paying attention. If she's got her face in a book, she's not going to remember exactly what the man next to her on the subway is wearing. But if she's paying attention, not only will she remember, she'll remember down to the scuffs on his shoes.਀ऀ㰀氀椀㸀㰀椀㸀䘀氀愀猀栀戀愀挀欀㨀㰀⼀椀㸀 䬀甀洀椀攀 栀愀猀 琀栀攀 愀戀椀氀椀琀礀 琀漀 爀攀洀攀洀戀攀爀 椀洀瀀漀爀琀愀渀琀 瀀愀猀琀 攀瘀攀渀琀猀ⴀⴀ猀漀洀攀琀椀洀攀猀 攀瘀攀渀 椀昀 猀栀攀 眀愀猀渀✀琀 琀栀攀爀攀ⴀⴀ椀昀 猀漀洀攀 攀瘀攀渀琀 椀渀 琀栀攀 瀀爀攀猀攀渀琀 琀爀椀最最攀爀猀 栀攀爀 洀攀洀漀爀礀⸀  匀栀攀 椀猀 挀漀洀瀀氀攀琀攀氀礀 甀渀愀戀氀攀 琀漀 挀栀愀渀最攀 愀渀礀琀栀椀渀最 琀栀愀琀 栀愀猀 栀愀瀀瀀攀渀攀搀Ⰰ 戀甀琀 猀栀攀 搀漀攀猀 爀攀洀攀洀戀攀爀 琀栀椀渀最猀⸀  䠀攀爀 洀攀洀漀爀椀攀猀 愀爀攀 挀漀氀漀爀攀搀 戀礀 攀洀漀琀椀漀渀 愀渀搀 椀洀瀀爀攀猀猀椀漀渀Ⰰ 栀漀眀攀瘀攀爀Ⰰ 愀渀搀 洀愀礀 渀漀琀 戀攀 挀漀洀瀀氀攀琀攀氀礀 昀愀挀琀甀愀氀ⴀⴀ洀攀洀漀爀礀 椀猀 愀 猀甀戀樀攀挀琀椀瘀攀 戀攀愀猀琀Ⰰ 愀渀搀 愀琀 戀攀猀琀 䬀甀洀椀攀 眀椀氀氀 漀渀氀礀 爀攀洀攀洀戀攀爀 漀渀攀 猀椀搀攀 漀昀 琀栀攀 猀琀漀爀礀⸀  䄀琀 眀漀爀猀琀Ⰰ 椀琀 挀愀渀 戀攀 猀漀 搀椀猀琀漀爀琀攀搀 琀栀愀琀 琀栀攀 昀愀挀琀猀 眀椀氀氀 戀攀 猀欀攀眀攀搀 戀攀礀漀渀搀 爀攀挀漀最渀椀琀椀漀渀Ⰰ 挀愀甀猀椀渀最 愀 栀攀愀搀愀挀栀攀 昀漀爀 瀀漀漀爀 氀椀琀琀氀攀 洀椀猀猀 樀甀猀琀ⴀ琀栀攀ⴀ昀愀挀琀猀⸀
• Knowledge is Power: With all the things that Kumie knows, at least some of it is going to come in handy sooner or later. It can't all be useless...right?਀ ऀ㰀⼀甀氀㸀

  ਀㰀戀㸀倀漀眀攀爀猀㰀⼀戀㸀㨀 

  • Star Piercing Burst: ਀ऀऀ㰀甀氀㸀㰀甀㸀吀栀攀 匀栀椀渀礀㨀㰀⼀甀㸀 ∀匀琀愀爀⸀⸀⸀∀ 䄀最愀椀渀猀琀 愀 搀愀爀欀Ⰰ 猀琀愀爀爀礀 戀愀挀欀最爀漀甀渀搀Ⰰ 圀愀琀挀栀攀爀 挀爀漀猀猀攀猀 栀攀爀 愀爀洀猀 椀渀 昀爀漀渀琀 漀昀 栀攀爀 猀漀 琀栀攀 戀愀挀欀猀 漀昀 栀攀爀 栀愀渀搀猀 愀爀攀 昀愀挀椀渀最 攀愀挀栀 漀琀栀攀爀Ⰰ 戀漀眀猀 栀攀爀 栀攀愀搀Ⰰ 愀渀搀 挀氀漀猀攀猀 栀攀爀 攀礀攀猀⸀  ∀⸀⸀⸀瀀椀攀爀挀椀渀最⸀⸀⸀∀ 吀椀渀礀 瀀漀椀渀琀猀 漀昀 氀椀最栀琀 戀攀最椀渀 琀漀 愀瀀瀀攀愀爀 椀渀 琀栀攀 猀瀀愀挀攀 戀攀琀眀攀攀渀 栀攀爀 栀愀渀搀猀Ⰰ 洀愀欀椀渀最 甀瀀 愀 猀瀀栀攀爀攀 琀栀愀琀 最攀琀猀 戀爀椀最栀琀攀爀 愀渀搀 戀爀椀最栀琀攀爀 愀猀 洀漀爀攀 琀椀渀礀 ∀猀琀愀爀猀∀ 愀瀀瀀攀愀爀⸀  ∀䈀甀爀猀琀℀∀ 匀栀攀 漀瀀攀渀猀 栀攀爀 攀礀攀猀Ⰰ 愀渀搀 瀀甀氀氀猀 栀攀爀 愀爀洀猀 愀瀀愀爀琀Ⰰ 愀渀搀 琀栀攀 琀椀渀礀 猀琀愀爀猀 猀栀漀漀琀 漀甀琀 琀漀眀愀爀搀猀 琀栀攀 攀渀攀洀礀Ⰰ 漀渀攀 戀礀 漀渀攀Ⰰ 戀甀琀 愀琀 最爀攀愀琀 猀瀀攀攀搀⸀  䄀 猀瀀氀椀琀ⴀ猀攀挀漀渀搀 氀愀琀攀爀Ⰰ 椀琀✀猀 漀瘀攀爀⸀

    The Smackdown: It hurts like having a thousand burning hot needles shooting into you. The attack is over very quickly, but the sensation is enough to throw most off their feet, and leave them disoriented. You have to be very quick to dodge it, and it will bend a bit to follow the target. It is a blaster set to stun--though it's over in a second, the aftershock of the intense pain is more difficult to recover from. It's more of a throw-the-enemy-off-balance attack than a finishing attack. The more power she puts into it, the longer the effect will last, and the victim's own physical and mental hardiness has a great deal to do with the impact and duration of the effect.਀ऀ㰀⼀甀氀㸀 ਀㰀瀀㸀 Fuku: Starwatcher's primary color is reddish-brown, and her secondary color is tan. Her Kinmoku standard issue skirt, halter top, sailor collar, and shoes are in the brown, while her arms and legs are wrapped with tan ribbons.
    ਀㰀瀀㸀 Henshin: "Watcher Star Power, Make up!" Mild-mannered Kumie turns into a sparkly orange silhouette after shouting this phrase, and several stars flutter down from the sky around her. The first lands on her chest to become her brooch, and others land on her body and meld together to form the pieces of her fuku. When this is finished, Starwatcher's features reemerge, and her finishing pose has her leaning forward, her hands clasped behind her back.਀㰀瀀㸀 ਀㰀倀 愀氀椀最渀㴀∀挀攀渀琀攀爀∀㸀㰀椀洀最 猀爀挀㴀∀氀攀愀昀⸀最椀昀∀㸀 ਀㰀栀㈀㸀倀愀爀琀 䤀嘀㨀 伀琀栀攀爀 䤀渀昀漀爀洀愀琀椀漀渀㰀⼀栀㈀㸀

    ਀㰀戀㸀䌀漀渀渀攀挀琀椀漀渀猀㰀⼀戀㸀㨀 

    Kinmoku਀ऀ㰀甀氀㸀㰀氀椀㸀䬀愀欀礀甀甀⼀䠀愀渀愀欀漀㨀 䬀甀洀椀攀 氀漀瘀攀猀 栀攀爀 瀀爀椀渀挀攀猀猀Ⰰ 戀甀琀 昀漀爀 爀攀愀猀漀渀猀 猀栀攀 挀愀渀✀琀 焀甀椀琀攀 甀渀搀攀爀猀琀愀渀搀 猀栀攀 椀猀 愀 氀椀琀琀氀攀 樀攀愀氀漀甀猀 漀昀 䠀愀渀愀欀漀 愀猀 眀攀氀氀⸀  倀攀爀栀愀瀀猀 椀琀 椀猀 搀椀昀昀椀挀甀氀琀 昀漀爀 栀攀爀 琀漀 愀挀挀攀瀀琀 琀栀愀琀 琀栀攀爀攀 椀猀 愀渀漀琀栀攀爀 欀椀渀搀 漀昀 眀椀猀搀漀洀 琀栀愀琀 搀漀攀猀渀✀琀 昀椀琀 椀渀琀漀 栀攀爀 挀甀爀爀攀渀琀 眀漀爀氀搀瘀椀攀眀Ⰰ 戀甀琀 椀渀 琀栀攀 攀渀搀 戀爀椀渀最猀 愀 最爀攀愀琀攀爀 愀洀漀甀渀琀 漀昀 瀀攀愀挀攀 愀渀搀 栀愀瀀瀀椀渀攀猀猀⸀

  • Starfighter/Katsuko: Kumie admires Katsuko's determination and go-getter-itude. Both are overachievers in their fields, but since Katsuko's field of expertise is so far removed from Kumie's, she never feels like they're competing with each other.਀ऀ㰀氀椀㸀匀琀愀爀洀愀欀攀爀⼀䴀椀礀愀欀漀㨀 䴀椀礀愀欀漀 椀猀 愀 最爀攀愀琀 猀琀甀搀攀渀琀Ⰰ 愀渀搀 䬀甀洀椀攀 愀搀洀椀爀攀猀 琀栀愀琀 椀渀 愀 猀攀洀瀀愀椀⸀  吀栀攀爀攀 椀猀 瀀漀琀攀渀琀椀愀氀 昀漀爀 昀爀椀攀渀搀猀栀椀瀀 栀攀爀攀㬀 䴀椀礀愀欀漀 猀攀攀洀猀 琀栀攀 猀漀爀琀 漀昀 瀀攀爀猀漀渀 眀栀漀 眀漀甀氀搀 氀椀猀琀攀渀 瀀愀琀椀攀渀琀氀礀 琀漀 䬀甀洀椀攀✀猀 琀愀渀最攀渀琀猀Ⰰ 琀栀漀甀最栀 䬀甀洀椀攀 瀀爀漀戀愀戀氀礀 眀漀甀氀搀渀✀琀 爀攀愀氀椀稀攀 琀栀攀 攀砀琀攀渀琀 漀昀 䴀椀礀愀欀漀✀猀 猀攀氀昀ⴀ猀愀挀爀椀昀椀挀攀⸀  吀栀攀爀攀 椀猀 愀氀猀漀 瀀漀琀攀渀琀椀愀氀 昀漀爀 爀椀瘀愀氀爀礀Ⰰ 愀琀 氀攀愀猀琀 漀渀 䬀甀洀椀攀✀猀 瀀愀爀琀⸀
  • Starhealer/Hitori: Without much in common and a lack in personal interaction skill on both sides, they'll probably be able to work together, but I don't see these two interacting on their own initiative.਀ऀ㰀氀椀㸀匀琀愀爀猀攀攀欀攀爀⼀䌀攀氀攀猀琀攀㨀 䌀攀氀攀猀琀攀 愀渀搀 䬀甀洀椀攀 猀栀愀爀攀 愀渀 椀渀猀愀琀椀愀戀氀攀 挀甀爀椀漀甀猀椀琀礀Ⰰ 琀栀漀甀最栀 椀琀 栀愀猀 氀攀搀 䌀攀氀攀猀琀攀 琀漀 氀漀漀欀 昀漀爀眀愀爀搀Ⰰ 愀猀 䬀甀洀椀攀 氀漀漀欀猀 戀愀挀欀眀愀爀搀⸀  䬀甀洀椀攀 眀漀甀氀搀 眀愀渀琀 琀漀 栀攀愀爀 愀氀氀 愀戀漀甀琀 琀栀攀 瀀氀愀挀攀猀 䌀攀氀攀猀琀攀 栀愀猀 戀攀攀渀Ⰰ 愀渀搀 䌀攀氀攀猀琀攀 洀椀最栀琀 戀攀 愀戀氀攀 琀漀 瀀爀漀瀀攀氀 䬀甀洀椀攀 漀甀琀 漀昀 栀攀爀 猀琀愀最渀愀琀椀漀渀⸀
  ਀㰀倀㸀㰀椀㸀䌀漀渀渀攀挀琀椀漀渀猀 昀漀爀 漀琀栀攀爀 昀愀挀琀椀漀渀猀 愀爀攀 猀漀 琀漀琀愀氀氀礀 昀漀爀琀栀挀漀洀椀渀最⸀㰀⼀椀㸀 ਀㰀倀 愀氀椀最渀㴀∀挀攀渀琀攀爀∀㸀㰀椀洀最 猀爀挀㴀∀氀攀愀昀⸀最椀昀∀㸀 ਀㰀栀㈀㸀倀愀爀琀 嘀㨀 䜀爀愀洀洀愀爀 䌀栀攀挀欀㰀⼀栀㈀㸀
  Let's have a look at that thar grammar...਀㰀倀㸀
  • Subject/Verb agreement? Check.਀㰀氀椀㸀夀漀甀✀爀攀⼀夀漀甀爀 愀渀搀 吀栀攀礀✀爀攀⼀吀栀攀椀爀⼀吀栀攀爀攀㼀 䌀栀攀挀欀⸀
  • Capitalization, spelling, and punctuation? Check.਀㰀倀㸀㰀椀㸀夀甀瀀Ⰰ 琀栀攀 漀氀✀ 最爀愀洀洀愀爀 猀攀攀洀猀 琀漀 戀攀 椀渀 眀漀爀欀椀渀最 漀爀搀攀爀℀㰀⼀椀㸀
  ਀㰀瀀㸀 ਀㰀⼀琀搀㸀㰀⼀琀爀㸀㰀⼀琀愀戀氀攀㸀਀